The spirit of renaissance and elizabethan

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The spirit of renaissance and elizabethan

Contact Author The age in which Milton was born and wrote his poem is popularly known as the Puritan age. But the genius of Milton was so individualistic, and he dominated the age from so great an altitude, that he cannot be said to be merged in his age.

Though he identified with Puritanism, he cannot be said to be pinned to it. Spencer had attempted this superficially, writing moral and religious legends beneath the pictures which he painted like a great sensual artist, but his juxtaposition of the two elements did but make their incompatibility more glaring.

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Milton was the first to conceive, from the outset of his career, a work which combined the perfection of ancient art and the intimate moral order of the Bible.

He had experienced with his heart the conflict of the opposing forces—Paganism and Christianity, nature and religion—and he composed the differences in his own way. The proportion in which the two elements are present in his works varies with his years, but from the beginning his powerful will mingles with them harmoniously.

No other English poet was at once so profoundly religious and so much an artist. The Faerie Queen holds up moral and religious truths in vague allegorical manner while the spirit of mediaeval romance shines out in all its glory in that long poem.

Into the framework of his romance, Sydney pours his own thought on morality and politics and on life as he has observed it. The two elements of morality and free romantic creation hardly blend well.

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So also in his sonnet sequence, Astrophel and Stella, he beautifully sets forth the struggle between honour and passion. But it is the romantic passion that dominates and the spirit of moral outlook—a serious idealization of life—seems to stand apart.

Not so in Milton, in Paradise Lost, the two elements mingle together in such a manner that they cannot be separated. The reawakening was due to the study of the ancient classics of Greece and Rome, which, after the fall of Constantinople before the Turks inwere brought to Italy by the classical scholars who found asylum there.

The spirit of renaissance and elizabethan

The movement familiarised the people of Western Europe with the art and literature of ancient Greece and Rome and they fell to their study with an avidity almost unprecedented.

The result was a great liberation of the spirit. Thought was liberated and broadened so that it broke through the framework of mediaeval scholasticism. Destiny and morals ceased to be matters of dogma and began to be questioned.

Rebellion against spiritual authority which was excited by the Reformation became part of the Renaissance spirit too. Men looked with new wonder at the heaven and the earth as they were revealed to their gaze by the discoveries of the astronomers and navigators.

Lastly, superior beauty was perceived in the literature of Greece and Rome recently recovered. The whole of Western Europe was astir with this new spirit of the Renaissance. In England, it had its full flowering in the astonishing literature of the Elizabethan age and produce Spencer, Marlowe and Shakespeare.

Love of beauty, of classical art and its deep humanism, freedom of imagination and thought, sense of wonder—all of these were the features of his genius. Though Lycidas marks a reaction against it and shows a preference for the Puritan ideal of life, the poem shows Milton has not wholly discarded the glowing Renaissance spirit.

In Paradise Lost, Paradise Regained and Samson Agonistes, the subject matters of which are derived from the Bible, classical ideas and imagery, classical turns of thought and expression—the finer spirit and essence of classical literature are woven into their very texture.

Milton was a child of the Renaissance, wholly steeped in its spirit. · Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.

The literature of the Renaissance was written within the general movement of the Renaissance which arose in 14th-century Italy and continued until the 16th century while being diffused into the rest of the western tranceformingnlp.com://tranceformingnlp.com 3: Similarities and Difference between the Italian Renaissance and Elizabethan England 4: Similarities Italy was the birthplace of the Renaissance because of thriving cities, a wealthy merchant class, and the classical heritage of Greece and tranceformingnlp.com://tranceformingnlp.com The structure of the conjurations follows traditional form, including an invocation or call, a charge or command to the spirit, and a licence for the spirit to tranceformingnlp.com://tranceformingnlp.com Introduction.

Elizabethan Period is generally regarded as the greatest in the history of English Literature. Historically, we note in this age, the tremendous impetus received from the Renaissance from the Reformation & from the exploration of the new world.

It was marked by a strong national spirit, by patriotism, by religious tolerance, by social content, by intellectual progress & by tranceformingnlp.com Elizabethan PoetryElizabethan Poetry Before and during the Elizabethan Age,Before and during the Elizabethan Age, medieval tradition blended withmedieval tradition blended with Renaissance spirit of optimism andRenaissance spirit of optimism and tranceformingnlp.comm.

The two poets who introduced noveltiesThe two poets who introduced novelties into tranceformingnlp.com The Spirit of Shakespeare and the Elizabethan Times. During the reign of Queen Elizabeth I, English civilization was at its greatest.

England during the Elizabethan Age saw a metempsychosis of literature, in big portion because of William tranceformingnlp.com://tranceformingnlp.com

Paradise Lost: Blending of Renaissance and Reformation in Milton | Owlcation